Point Out The Bounce!
When accentuating the positive equals accentuating some triflingness - that which really is what most folks like to call - there's a strong case in the Bounce culture.
I recently checked out Big Freedia's show at The EARL, and man, I had no clue what I decided to cover. Her joint "Ass Everywhere" is a proclamation, let her live performances tell it. Big booty broads on stage, in the audience (then on stage) - surprisingly without a machismo in sight.
While most stripper-ready music brings out as many guys as gals because of the gals, Big Freedia and the Bounce culture brought forth a type of subculture counter-intuitive to misogynous music. And doubting it has everything to do with its popularity in the LGBT community, it felt pretty darn good to see women flaunting what they have without feeling like they were being undressed by the eyes of patriarchy.
So there are more photos and a full recap of this crazy show on Frank151. Go there to see what I saw!
A Guinea Pig + Rhode Island + A Guitar = Ellis Ashbrook
Ellis Ashbrook has that kind of sound. This New York band of four is coming to Smith's Olde Bar in Atlanta on the 7th bringing their prog-rock, jazz and funk with them. Come to the Midtown bar to unwind because we all know how the case of the Monday's can be!
Until then, check out this interview they did for the blog. They talk about their name - which could easily confuse folks who are equally confused with the GROUP Travis Porter - and their latest project Meridia.
If "sometimes it's unassuming, unalarming" then why not watch? I guess I'm asking what's really going on in "No Please Don't Watch."
Balkans Set to Bomb Awesomeness at CMJ 2011
Atlanta is running things at CMJ this year!
From hiphop like Senor Kaos to the rock n' roll ATL has grown to love, like the Balkans, this city is heading to NY with a strong Southern force.
Yesterday, much buzz surrounded Balkans with their set last night at the Lefse showcase. Folks can check out their next set Friday at the Kanine Records showcase. From what I hear, this could get as wild as some Ohio exotic farm owners (ok, maybe the Zanesville sheriffs?) as these guys are as much sensibly punk as they are charmingly pop as they are amusingly fun.
Speaking of wild times, I remember covering the Balkans when they released one of my favorite ATL-made songs this year "Edita V." We talked about how they got together (*slash* the high school story) and where did their name come from (which means "absolutely nothing whatsoever"), though this band means everything to ATL!
Click the link below to read on!
Balkans celebrate long-awaited 7" single release at Star Bar - Atlanta Local Music | Examiner.com
2011 A3C Festival Photos and Recap
I had the pleasure of doing double duty for A3C this year - holding it down for A3C (of course) and Frank151 Atlanta Backwoods. From many trips to Subway for an Anytober footlong to wacky odes to Trail Mix, I was pretty exhausted by the 3rd day of A3C-ing. Maybe I should save these anecdotes for the actual recap...
From meeting the female emcee of 9th Wonder's Jamla crew to witnessing Big Daddy Kane and Skoob Lover do their trademark dance, the twinkles in my eye never really left throughout all of A3C. Just about every performance I saw at A3C reminded me to never sleep on a hiphop festival merely because it is indeed a hiphop festival.
Not everyone (at least in Atlanta) got that memo. Although the headlining acts get bigger and bigger (mind you, this year's included Freeway, Random Axe, Big KRIT, Dead Prez, Big Daddy Kane), the city's consumption of A3C seems to stay the same, if not grow weaker. It felt like there was less enthusiasm and appreciation of the hiphop fuel A3C had, not to mention the other events tending to the needs of Atlanta's socialites conflicting with A3C's impact. Yeah, the Atlanta City Council awarded A3C with a proclamation for their hard work and diverse cultural programming, but the city itself seemed to yawn it off. 7 years later, and a proclamation by the Atlanta City Council, and they still have to compete with other people in bringing the biggest hiphop names to Atlanta on the first weekend of October? Come on, son!
Aside from all that, A3C continued to accomplished what most big events in Atlanta don't do - break wall(s). Usually people go to an event indirectly masked as certain people: press/media, up-and-coming artist, complete and total fan, socialite (can be V.I.P or groupie, but that's another blog post) and the performing act. Whereas most events, especially "Black Hollywood" events, keep things neatly organized to the point where everything seems fenced to machine-like actions and interactions, A3C doesn't do that at all. Instead, A3C will have you forget that you, the performing act, shouldn't act hysterical over another performing act. Or you, the press guy, shouldn't be so star-struck when a headliner is ready for pictures and questions in the media room. However, when hiphop is being hiphop - familial in all its cultural ways - wear as many masks as you can without being the festival creep.
The biggest highlights of A3C this year came from the most respected names in the entire hiphop community, as many of those cats were there. From Jarobi making a surprise appearance for Eternia's tribute to ATCQ's "Excursions" to a massive amount of white people obligingly yell "I'm down for running up on them crackers in they city hall" to MURS finally unleashing emotionally-deep material unto his fans to 9th Wonder and Dee-1 sit outside of downtown Atlanta's New Era store trade knowledge back and forth like the teachers they are, I don't know what else to actually say about A3C except the twinkle in my eye - you know, that twinkle that's similar to a life-opening experience, that twinkle - never left.
The twinkle didn't even leave when I did this ridiculous interview with the Ying Yang Twins!!! Check out Where My 40 Acres while you're at it too because those cats stayed on it.
I cannot escape without proper props to these blogs too! You must check out:
BombOnEm
Write and Groove
Miss L's
Rhythmic Images
Natasha Williams Photography
Trill Talk Radio
iAm Classic Hip Hop
Artists you must check out because they killed it at A3C:
Jon Connor
Marz Lovejoy
Nikki Lynette (crazy how underrated she really is)
Boog Brown (read Nikki Lynette)
Skewby
Phil Ade
Nikkiya
The 5IVE
XV (again, read Nikki Lynette)
Gods'Illa
Reks
Skyzoo
and really, go to A3C's website and look up all the other artist profiles because there're too many to name!
Check out my Frank151/A3C blog team coverage of A3C, including interviews with MURS, tabi Bonney, The ReMINDers, Eternia, Nikki Lynette, Ultrabeast, The 5IVE, Boog Brown, and more!
Also, my YouTube page has some great concert footage, including MURS' new joint "Remember to Forget" and Freeway's classic "What We Do"
And since you made it this far down the blog, and hopefully read all these words I've typed, check out this video I got of Ski Beatz with his band The Sensei's and Phil Ade getting it on the spot!
After A3C, not even through the exploration of technological advances in the culture's preservation, I've found out that age is nothing but a number - as long as the community elders (the old heads) continue to build with the youngsters, and vice-versa. Face it, while vinyl will never die in hiphop, the younger generation will forever need to teach veteran DJs how to work the vinyl-to-USB transformation to the max. An old head will always have to teach young breakers proper and well-respected freezes.
A3C was a perfect example of all of that! From seeing breakers of all ages battle to hearing 9th Wonder and Dee-1 give advice to aspiring artists to watching a group like Dead Prez shout out a group like The ReMINDers as "family," the opportunity to dead my on-the-fence grappling of the Hiphop/Post-Hiphop generation(s) was there and ended it.
Big K.R.I.T is Performing at A3C 2011 (Retro Interview)
Check out the rest of the interview on AOL City's Best.In such a short amount of time, we've heard your music go across the board. What's your ultimate goal as a musician?
Make music that people can relate to, something for all walks of life. I feel like as an artist, I'm supposed to paint all these pictures. So, I stay true to myself and do the right music and be original.
What was it like meeting Sha Money XL and the day you signed to Def Jam?
It was dope! Sha Money is a down-to-earth person. He has a respect for where I come from -- from nothing to a million-dollar signing -- it's like a homie kind of aspect. I ended up calling my father in the elevator like, "Pops, this is real!" It's Def Jam, the mecca of Hip-Hop, and to be from the Dirty South it was like we did it!
Speaking of "best," best of luck to Big K.R.I.T on winning his first BET Hip Hop Award this year. Although not many people credit BET for serious award ceremonies, there's nothing like having a physical symbol of appreciation (because YouTube and Bandcamp hits can only mean so much). In other words, you can't really place Internet buzz on your mantle or trophy case. Good luck Big K.R.I.T!
My Blogging Efforts for Troy Davis on Frank151
Thurzday of U-N-I Interview with Frank151
Here is an excerpt of the interview. Check out Frank151 for the full article!
So where are you at? Let's talk about this new project.
It definitely pulls inspiration from the '92 riots, and also basically I'm at a burn-and-rebuild stage right now. Left the group, and I had to almost re-brand myself so that people know I'm a force. I burnt down the old image, and it's me re-establishing myself. I'm also putting out quality over quantity, so this thing I put out really represents where my mind is at and all the people that are pushing me right now. It's not a historical project, it just touches on a lot of life situations and, well, real shit.
Ok, so you said you left the group. So does that mean no more U-N-I?
We'll see.
I mean, you and I - as far as I'm concerned - seem ok, as long as you keep doing dope stuff, but U-N-I is ka-put?
Ha! As of right now, we're not doing the group thing anymore. I'm just really attached to doing my solo work. The sounds that I am making are really big, and I'm really digging the music I've created and the producers created lately. I definitely appreciate where U-N-I got me and all the accolades we've received, but right now it's time for me to do me.
Well, I'm glad you appreciate where I've gotten you. Ok, I'm done with the lame U-N-I jokes! With performing, how were you digging the Atlanta atmosphere?
My boy DJ Z reached out to me wanting me to come and rock. He's been supporting all the records I've released so far, so I really wanted to help support that movement. I brought my DJ Ro Blvd. to join me, and I'm glad to be out here.
A Photo Recap of Atlanta Indie Festival
Check out the full recap of the event on Frank151 Atlanta Backwoods League.
Featured in this slideshow is:
J*Davey
Rahbi
CyHi da Prynce
Karima Harrison from Noot d' Noot
Tuki and Go Dreamer from Hollyweerd
Sidenote, plus a bonus photo, I went to the Arts Beats & Lyrics show the night before as the purveyor of awesome that I am, and got recruited to take a photo in front of a person's work because of my KeepItClassic.com "I Grew Up On Hiphop" shirt. Lo and behold, it was for a friend of mine! Check out all of her Rhythmic Images pictures by clicking on her picture of me!
Jeffrey Butzer Talks Toy Piano Album and Show at Drunken Unicorn
An Interview with A Fight To The Death
At this rate, where do you see A Fight To The Death within the next five years?
I hope that we are able to use the geographic distance and also use the challenges and convenience in modern technology to become more of a national band, and I mean that well. I hope that that’ll allow us to play more and out of our comfort zone, and overcome the complacency that we have in Atlanta. I really hope it gets us out of Atlanta more and make us a national or at least a multiregional band. I hope our songwriting grows and becomes more bizarre and interesting, like I will not have any idea what our next record will sound like. I see us growing and crafting songs that have a greater longevity than just writing songs that we’ll be performing live as we won’t be in that setting anymore. Our focus will be a little different.
The Drunken Unicorn Chronicles: OK, Not Really (Video)
With the walls full of band stickers and other illustrations eluding to music and fantasy figures (i.e. unicorns and robots... If they count anymore), this music venue instantly reminded me of The Union back at OU in Athens. Even the sound system's booth was identical to my favorite bar on Union Street! But back to the music...

I'll just get to the point. Attention System was everything I imagined them to be live, and then some! They had a light show, lasers, fog, and all kinds of bells and whistles associated with a rock concert, even though the size of The Drunken Unicorn is a quarter of the size of a typical arena. Their music was on point, and if my battery hadn't died, I would have video footage, so just go by this visualization: you're playing laser tag during the early 00s at a small nightclub during Armageddon while a band that looks nearly 40 performs like they're 20. If that sounds like fun, you would enjoy this show.
Although I do not have video of Attention System, I do have video footage from their opener Siberia My Sweet. This band had the most distinctive, untouched, and non-faux sound I have heard coming out of the A. Siberia My Sweet
Local Community Radio Act PASSED!!!
| It's good to see community radio don't have to go through hoops no more! |
Why? Because it's a win for the little guy, of course, but also is a win for the home team (whoever yours may be). For about ten years, since the Radio Broadcast Preservation Act, small town radio has suffered under the shrinking dial frequency thanks to big corporate radio stations wanting to minimize use of the spectrum for their own gain, claiming interference (which ended up being a claimed disproved by a Congress-mandated study in 2003).
The new bill is waiting for President Obama's signature. According to Pitchfork, it does state that approval of the FCC must be "based on the needs of the local community," and that restrictions are in place to prevent applicants from getting a low power FM license if he or she has violated section 301 of the Communication Act of 1934.
The most awesome thing about the Local Community Radio Act is that this could possibly lead to more media job creation! Your girl needs a job, and is not afraid to step into the booth as a radio jockey. The world needs Bubble Gum Pop Rap on the airwaves, right? Wouldn't that be dope! Seriously, this could create more jobs in a starving market, so journalists and folks who love the radio should rejoice as Congress has done something amazing for once!
This wouldn't be right if I didn't shout out the following local radio stations in Atlanta that I always listen to when I'm in the car or near the frequency box!!!
WRFG 89.3 - Radio Free Georgia, man oh man. It plays a little bit of everything progressive-wise, including REAL experimental music, REAL bluegrass and country, and REAL hiphop music, and also very helpful and resourceful talk shows (not the crappy sensationalizing talk shows that scare the bejeebus out of folks just to tune them in on a permanent basis). I especially like their hiphop show Beats & Lyrics, plus their late night shows... which isn't what you think at all. I promise.
WRAS 88.5 - Album 88 is a radio station based at Georgia State University in downtown Atl. The thing I like about them is that they play what's hot in the blogosphere and in the community. It's a great place to hear local bands, indie bands, and whatever other music stuff that's considered hipster. I'm no hipster, but everytime I tune in, I always have a "THAT'S MY ISH RIGHT THERE!" moment. The thing I can't stand is that it's the ONLY radio station around that plays the atypical music.
WREK 91.1 - Georgia Tech's station is a station I tune into from time to time. I caught wind of it when they had a F' Action hour, which was interesting considering it was a Sunday evening. I always find something dope on Saturday nights on the road to a show or something, as they always have some crazy Techno or Drum & Bass record going crazy. Ultimately, they always play some jazz or big band record that keeps me tuned in.
There are a couple more stations that I like, or at least keep on my dial until I buck up and change to V-103 or Hot1079 or one of the old school stations. But the classic rock station The River, alternative rock stations 99x and Project 9-6-1 do keep me occupied when absolutely nothing else is on the radio. I hope this new Local Community Radio Act forms more local stations here in the A that provide more voices to this city.
One Last A3C Post - An Interview with Brittany Bosco
| Brittany Bosco on top of the speakers! |
Brittany Bosco Interview at A3C by star-watson
Hidden gems, aren't they something? I totally edited this, and forget(ted) it - sorry, I wanted it to rhyme.
Anyway, after the insanity of a set, I spoke with one of the few total singers to perform at A3C, Brittany Bosco
A3C Festival - A Recap with Some Photos
After Sha wrecked the Jagermeister stage with his "Unsung" and "The Smelly Cat" records, although the crowd was vibing to "Unsung" like it was a Rick Ross concert, I pull him aside for an interview, but J.Live came up and brought Arigato with him. So we all sat down and talked about being an artist at a big hiphop festival, the history of their sounds and talents, and making sure I don't stink so Sha doesn't write a song about me.
Sha Stimuli J Live Arigato Interview at A3C by star-watson
A3C Grand Prize Winners From Last Year Impromptu Interview
Now I'm off to enjoy this hiphop and journalism panel, watch some performances, and hope the breaking tournament will start soon (because it was supposed to start 3 hours ago!)
BAD NEWS!!! Erick Sermon will NOT be performing tonight. My heart is BROKEN!!!!!!
Live Blogging from A3C Hiphop Festival - Day 3
Last night, A3C was packed full of leaders of the new school, along with some legendary DJs and underground kings and queens. Today isn't much different, just add Rhymefest, Nappy Roots, Killer Mike, Erick Sermon and Camp Lo! There's also so so much more, but you'll see as the day unfolds.
Below is a video clip of STS's performance when he did his version of Gucci Mane's "Lemonade," which is to me the dopest remake of a track.
More to come today, tonight, and in my wrap-up tomorrow!









