A Rant on Lauryn Hill

This rant is brought to you by Fusetv and the video I posted on Tumblr. One of my favorite music journalist Toure got to sit down with Lauryn Hill, talking about her absence and her return to the industry.


And the rant begins...


I look up to this woman for reasons other than her music - it's because she is the perfect example of a strong, Black woman, and she showed that in her absence. When Questlove said in My Mic Sounds Nice that her 10-year absence is the movements tsunami, and Russell Simmons started a statement with "the tragedy of Lauryn Hill began when...", I was heated because that was just so stingy for them to say that (which also goes without saying that hiphop is indeed a stingy culture), and no one really cared to say what she did was probably the best thing for hiphop. Think about it - she blew the hell up! Fast! And we all know what happens to artists who are instantly enveloped in the spotlight (i.e. Kanye West, Destiny's Child/Beyonce, etc), they turn into pop and can no longer find themselves or their true sound. Better stated - their sound is dictated by the dollar. I personally was glad that she left because (this is me being honest) she felt uncomfortable with the music she was putting out, and didn't want to do it, so she left. Good for her.


Whether or not her craft touched you in a way that made you upset she left, don't forget she's a human being too and has needs that will go before your needs because she's that amazing (POW!). Why is she amazing? Because she started a whole other movement just by being herself, and didn't even know it (because she was definitely the anchor and pioneer for the neo-soul movement).


Also, and I will NEVER consider this a crutch or really want to validate this as a reason, but she's a woman/mother. She got knocked up so she had to take care of them. Why on earth should the world ridicule her for that? Why should hiphop, of all maternally-oriented cultures, ridicule her for that?


I care about the person first, then the artist, then their music (in that order), just as everyone else should. And the fact that she has evolved and is doing HER OWN THING makes me even more proud of her. I hope her next album will represent her, I no longer care if it "sounds good"!


If I went to Rock The Bells (which I didn't have to because half of the footage is uploaded on everyone's site who did attend the concerts), I would have applauded Lauryn for her additions and changes to her famous hits. Now, although it is a tour that is designed to be reminiscent of hiphop's past, one can't just discount an artist for putting their own spin on their music to better express themselves on stage. So what she put a higher tempo on her songs off Miseducation? She was experimenting, that shouldn't put her on everyone's shit list!


Speaking of her artistry, people who had a problem with her Unplugged sessions need to take a seat! Those numbers, if you heard them correctly, were symbolic of things she was going through. Why belittle her for that? If you were pissed about the misinterpretations of your miseducation, then you would respond in the same way. Unfortunately, the world we live in would react in the same fashion most of you guys did to her. Go us! (I guess)


I hope she releases an album that makes everyone eat their words. Literally. New York Times would eat their paper, people who tweeted hateful things about her would eat their computers or BlackBerrys, and the folks who talked trash about her return will receive the "I told you so" song and dance.


I feel the need to celebrate early, excuse me:




Rant over.

Questions for Dilla

For those that don't know, I am a journalist first, blogger second. Don't be mad at me, that's just the way it is! However, I do feel the need to let you in on what it's like to be a journalist, especially a music journalist, and into the mind (well, at least mine) of a music journalist. I'm pretty sure anybody who loves hiphop and REAL music in general knows who J Dilla is. Or was. In case you don't know, HE'S ONE OF THE GREATEST HIPHOP PRODUCERS OF ALL TIME!!! Ever since I heard Janet Jackson's "Got 'Til It's Gone", I was mesmerized by how he flipped Joni Mitchell's "Big Yellow Taxi" and transformed the idea of such a folk, country record into straight up neo-soul. Little did I know how many "Dilla (Dilla) beats (beats)" I wasn't aware of, from De La Soul to Pharcyde, dude was all over the place. Since hearing that record, I made it a purpose that year (in '97) to find any and every record Dilla made. I wanted to get into the his mind, like "How and why did you do that?" because that's just the person I am, and he's just the kind of person that will give you all type of insight on things you don't know. Unfortunately, I could never do it, but I'll post the questions anyway as if he's still alive because it's essential to see who he was through what I want to know...

1) Usually this is a question for singers and band members, but I find it fitting to ask you this anyway - describe to me your sound and what makes a Dilla beat.

2) When did you first start making music? How do you think it developed over the years?

3) Although you are a world-renowned producer, you also have another title as an emcee. When did you first start rapping? What inspired you to rhyme?

4) What emcees out there would you like to rap with that you haven't yet?

5) Give me your top 5 emcees out right now. How would you produce their album, if you haven't already?

6) Give me your least favorite rapper out now and how you would produce his or her album, given that you had to?

7) How do you go about producing songs? When an artist calls you up like "yo, can you make this song for me?" and you decide to go with it, how do you put that track together?

8) Out of curiosity, how many records do you own? How do you even find the tracks you use for production?

9) What's your favorite record store for crate digging?

10) What is your ultimate purpose as a musician? How do you plan on evolving your sound?

11) What is your opinion about the art of production nowadays?

12) Where do you see hiphop music in the next 10 years?

R.I.P J Dilla