Showing posts with label women. Show all posts
Showing posts with label women. Show all posts
Point Out The Bounce!
When accentuating the positive equals accentuating some triflingness - that which really is what most folks like to call - there's a strong case in the Bounce culture.
I recently checked out Big Freedia's show at The EARL, and man, I had no clue what I decided to cover. Her joint "Ass Everywhere" is a proclamation, let her live performances tell it. Big booty broads on stage, in the audience (then on stage) - surprisingly without a machismo in sight.
While most stripper-ready music brings out as many guys as gals because of the gals, Big Freedia and the Bounce culture brought forth a type of subculture counter-intuitive to misogynous music. And doubting it has everything to do with its popularity in the LGBT community, it felt pretty darn good to see women flaunting what they have without feeling like they were being undressed by the eyes of patriarchy.
So there are more photos and a full recap of this crazy show on Frank151. Go there to see what I saw!
A Rant on Lauryn Hill
This rant is brought to you by Fusetv and the video I posted on Tumblr. One of my favorite music journalist Toure got to sit down with Lauryn Hill, talking about her absence and her return to the industry.
And the rant begins...
And the rant begins...
I look up to this woman for reasons other than her music - it's because she is the perfect example of a strong, Black woman, and she showed that in her absence. When Questlove said in My Mic Sounds Nice that her 10-year absence is the movements tsunami, and Russell Simmons started a statement with "the tragedy of Lauryn Hill began when...", I was heated because that was just so stingy for them to say that (which also goes without saying that hiphop is indeed a stingy culture), and no one really cared to say what she did was probably the best thing for hiphop. Think about it - she blew the hell up! Fast! And we all know what happens to artists who are instantly enveloped in the spotlight (i.e. Kanye West, Destiny's Child/Beyonce, etc), they turn into pop and can no longer find themselves or their true sound. Better stated - their sound is dictated by the dollar. I personally was glad that she left because (this is me being honest) she felt uncomfortable with the music she was putting out, and didn't want to do it, so she left. Good for her.
Whether or not her craft touched you in a way that made you upset she left, don't forget she's a human being too and has needs that will go before your needs because she's that amazing (POW!). Why is she amazing? Because she started a whole other movement just by being herself, and didn't even know it (because she was definitely the anchor and pioneer for the neo-soul movement).
Also, and I will NEVER consider this a crutch or really want to validate this as a reason, but she's a woman/mother. She got knocked up so she had to take care of them. Why on earth should the world ridicule her for that? Why should hiphop, of all maternally-oriented cultures, ridicule her for that?
I care about the person first, then the artist, then their music (in that order), just as everyone else should. And the fact that she has evolved and is doing HER OWN THING makes me even more proud of her. I hope her next album will represent her, I no longer care if it "sounds good"!
If I went to Rock The Bells (which I didn't have to because half of the footage is uploaded on everyone's site who did attend the concerts), I would have applauded Lauryn for her additions and changes to her famous hits. Now, although it is a tour that is designed to be reminiscent of hiphop's past, one can't just discount an artist for putting their own spin on their music to better express themselves on stage. So what she put a higher tempo on her songs off Miseducation? She was experimenting, that shouldn't put her on everyone's shit list!
Speaking of her artistry, people who had a problem with her Unplugged sessions need to take a seat! Those numbers, if you heard them correctly, were symbolic of things she was going through. Why belittle her for that? If you were pissed about the misinterpretations of your miseducation, then you would respond in the same way. Unfortunately, the world we live in would react in the same fashion most of you guys did to her. Go us! (I guess)
I hope she releases an album that makes everyone eat their words. Literally. New York Times would eat their paper, people who tweeted hateful things about her would eat their computers or BlackBerrys, and the folks who talked trash about her return will receive the "I told you so" song and dance.
I feel the need to celebrate early, excuse me:
Whether or not her craft touched you in a way that made you upset she left, don't forget she's a human being too and has needs that will go before your needs because she's that amazing (POW!). Why is she amazing? Because she started a whole other movement just by being herself, and didn't even know it (because she was definitely the anchor and pioneer for the neo-soul movement).
Also, and I will NEVER consider this a crutch or really want to validate this as a reason, but she's a woman/mother. She got knocked up so she had to take care of them. Why on earth should the world ridicule her for that? Why should hiphop, of all maternally-oriented cultures, ridicule her for that?
I care about the person first, then the artist, then their music (in that order), just as everyone else should. And the fact that she has evolved and is doing HER OWN THING makes me even more proud of her. I hope her next album will represent her, I no longer care if it "sounds good"!
If I went to Rock The Bells (which I didn't have to because half of the footage is uploaded on everyone's site who did attend the concerts), I would have applauded Lauryn for her additions and changes to her famous hits. Now, although it is a tour that is designed to be reminiscent of hiphop's past, one can't just discount an artist for putting their own spin on their music to better express themselves on stage. So what she put a higher tempo on her songs off Miseducation? She was experimenting, that shouldn't put her on everyone's shit list!
Speaking of her artistry, people who had a problem with her Unplugged sessions need to take a seat! Those numbers, if you heard them correctly, were symbolic of things she was going through. Why belittle her for that? If you were pissed about the misinterpretations of your miseducation, then you would respond in the same way. Unfortunately, the world we live in would react in the same fashion most of you guys did to her. Go us! (I guess)
I hope she releases an album that makes everyone eat their words. Literally. New York Times would eat their paper, people who tweeted hateful things about her would eat their computers or BlackBerrys, and the folks who talked trash about her return will receive the "I told you so" song and dance.
I feel the need to celebrate early, excuse me:
Rant over.
Last Week on Tumblr...
When I'm not posting reviews, commentaries, and such, I am posting small music tidbits on Tumblr, titled Bubble Gum Pop Rap Lite. Almost anything has been posted on this site, from neat music articles to singles from great artists. Every week I'll give you a taste of what I've come across on the radio, in the news, and online. Enjoy!
Starting with July 10th: I found one of the coolest posters floating around the Internet! Also on that day, I finally changed my ringtone to Drake's "Thank Me Now" (who did NOT show up at the Car and Bike Show I went to in Atlanta, I was so hurt!)
Posted July 9th: This was the day officer Johannes Mehserle caught a involuntary manslaughter verdict for MURDERING an arrested young Black man by shooting him in the back of the head! So in anger, I found this song by Rebel Diaz and BRWN BFLO called "Who You Shootin At?" Also posted was a funny JPEG on Chart-Topping Musicians (dissed the hell out of Nickelback in the process!)
Posted July 8th: The visuals to Nikki Lynette's "Civil War", as well as Roxanne Shante on why she left the rap game.
Posted July 7th: A tune from Jean Grae's last mixtape before retirement where she gives XXL a piece of her mind. Plus, for all you "Nasty Boys," the video from Janet Jackson's steamy performance at the Essence Music Festival!
Posted July 6th: Prince's opinion on the current state (and the future) of the Internet, and an oh-too-familiar yet revolutionary album cover of Bilal's latest works.
Posted July 5th: A link that'll get you ALL SIX of Charles Hamilton's new mixtapes!!! That is all.
Posted July 3rd: A booming system unlike any other, news on a possible ?uestlove, Raphael Saadiq, and Amy Winehouse band, and classic video footage on how to do the Bird from the ever-so lovely Purple Rain!
Starting with July 10th: I found one of the coolest posters floating around the Internet! Also on that day, I finally changed my ringtone to Drake's "Thank Me Now" (who did NOT show up at the Car and Bike Show I went to in Atlanta, I was so hurt!)
Posted July 9th: This was the day officer Johannes Mehserle caught a involuntary manslaughter verdict for MURDERING an arrested young Black man by shooting him in the back of the head! So in anger, I found this song by Rebel Diaz and BRWN BFLO called "Who You Shootin At?" Also posted was a funny JPEG on Chart-Topping Musicians (dissed the hell out of Nickelback in the process!)
Posted July 8th: The visuals to Nikki Lynette's "Civil War", as well as Roxanne Shante on why she left the rap game.
Posted July 7th: A tune from Jean Grae's last mixtape before retirement where she gives XXL a piece of her mind. Plus, for all you "Nasty Boys," the video from Janet Jackson's steamy performance at the Essence Music Festival!
Posted July 6th: Prince's opinion on the current state (and the future) of the Internet, and an oh-too-familiar yet revolutionary album cover of Bilal's latest works.
Posted July 5th: A link that'll get you ALL SIX of Charles Hamilton's new mixtapes!!! That is all.
Posted July 3rd: A booming system unlike any other, news on a possible ?uestlove, Raphael Saadiq, and Amy Winehouse band, and classic video footage on how to do the Bird from the ever-so lovely Purple Rain!
The New Breed(s): Nikki Lynette
This woman is so far beyond current rap AND hiphop music, she was one of the first people I personally hesitate to say Nikki Lynette is an emcee. But she's probably the most of an emcee, let alone a femcee, of our time. I almost hesitate in calling her a femcee because of my own upbringing in categorizing, and to me she is that far left of hiphop music. However, she wins my heart as a femcee because she drops some of the dopest rhymes over the most laissez-faire of music. To hear her rap over Peter Bjorn & John's "Nothing to Worry About" and Guns 'N Roses "Welcome to the Jungle" was heart-racing at first because it hadn't been done in a looong time, but the feeling turned into joy because of what she has said. Musically, Nikki Lynette has every right to call herself Bad Ass!
I first caught wind of her while looking for the beat to PB+J's "Nothing to Worry About", and found her featured on 2Dopeboyz. At first I thought, "she sounds a lot like the other Nicki.... Ew." Fortunately, the next week HiphopDX posted a video of her fresh 16 Bars which she rips the world apart in one verse. That's when she won my attention!
What makes me place her amongst the greatest ladies to ever rock a mic is that she has a TRUE EDGINESS! A lot of other emcees and musicians that claim to be edgy and bad ass fail to make those sort of attempts in their music, but Nikki Lynette actually is. Most artists will say they've been through "so much" and fail to show it in their music, but Nikki Lynette actually does it. How many emcees will not only tell you a story about a trip to the psyche ward, literally, but take you on a wild (feeling) ride of their trip to the psyche ward as a teenager? Don't worry, I'll wait.... This particular femcee not only did that, but put it over a Guns N' Roses track ("Welcome to the Jungle") in her single "Take This Pill." Instead of just linking the video, I'll just post it here with the lyrics, and let you experience the ride yourself:
I first caught wind of her while looking for the beat to PB+J's "Nothing to Worry About", and found her featured on 2Dopeboyz. At first I thought, "she sounds a lot like the other Nicki.... Ew." Fortunately, the next week HiphopDX posted a video of her fresh 16 Bars which she rips the world apart in one verse. That's when she won my attention!
What makes me place her amongst the greatest ladies to ever rock a mic is that she has a TRUE EDGINESS! A lot of other emcees and musicians that claim to be edgy and bad ass fail to make those sort of attempts in their music, but Nikki Lynette actually is. Most artists will say they've been through "so much" and fail to show it in their music, but Nikki Lynette actually does it. How many emcees will not only tell you a story about a trip to the psyche ward, literally, but take you on a wild (feeling) ride of their trip to the psyche ward as a teenager? Don't worry, I'll wait.... This particular femcee not only did that, but put it over a Guns N' Roses track ("Welcome to the Jungle") in her single "Take This Pill." Instead of just linking the video, I'll just post it here with the lyrics, and let you experience the ride yourself:
She dropped a mixtape last month called Roses N' Guns: The totally bad ass mixtape that rocks! that has almost every song she's done in her short time in the rap game, which is actually a lot. She has released a video for one of my favorite songs on the mixtape called "Civil War", which flaunts her ability to take on current issues head-on. And for someone to go in so soon is astonishing!
Not only is she lyrically dope, but her potential gravitates me towards her more. As I mentioned in the beginning of this series, most people, especially artists in hiphop, are afraid to step outside the box because of the complacent and conformant community, not to mention the fear of failure. However, you have artists like Nikki Lynette, who will tell you her story as soon as you meet her, Jean Grae, who will rebel against any and everybody, and Invincible, who will teach you how to be revolutionary, who all conform in not conforming, which makes them as hiphop as it gets.
The New Breed(s): Jean Grae
I know a lot of readers will see this and think "you're a couple years behind with this," but I am placing this woman among NEW breeds because she has been something that people are just NOW noticing - a true rebel. Jean Grae is so rebellious, she'll rebel against her own hiphop community to better herself.
I was in a meeting two years ago with my Hip-Hop Congress folks (I miss you all btw), and we were talking about our all-time favorite female emcees. I said MC Lyte, but the guy next to me insisted on saying Jean Grae was better than her. I was infuriated! When I asked him why, he said "No disrespect to MC Lyte, but Jean Grae has something that the Lyte lacks, and that's a backbone." I thought to myself that was a bold statement since MC Lyte is the epitome of badass emcees, hands down. He went on "yeah, MC Lyte started the women with attitude sort of style, but Jean Grae has taken that style to a whole new level. Dudes may have been afraid to battle MC Lyte, but dudes are afraid to even be in the presence of Jean Grae. The only one is probably Talib Kweli." At the time, he was right. Every dude that has collaborated with her didn't outshine the femcee.
This femcee is especially the future of all of hiphop because she is by far the most self-made AND well-known self-made musician of our time. Jean Grae's style of rhyme is totally prepared for battle, like if anybody had a problem with her should be ready to be rump roast! Her punchlines are deadly, making you feel as if you're fighting Mike Tyson after his release from prison in '95. She has rhymes you must listen to, as they are intelligent and strategically placed for you to think and figure out what exactly she is talking about. She is perhaps the most complicated femcee to decipher out of these new emcees.
Lyrically, she's the kind of girl you don't tread lightly, as she has an attitude that'll take you by storm. Yet, she whisks you away in beautifully written stories dealing with life and being a woman. Although her battle rap style rhymes carry heavy weight, so does her ability to tell stories about her life. She has told stories of just about everything from a woman's perspective - from being the only female on her label to late-night quickies and abortions. From her album she did with 9th Wonder called Jeanius, her song "My Story" had to be the most chilling yet telling story about going through abortion and having a miscarriage. She says
I was a failure at that too, bailed from the rap, then but fate took me back in.
Sin is a tattoo my fingers attached with.
Twenty-seven with three kids that I never met.
What if I was Catholic? Wonder if they hate me?
Thinking how their mother could ever murder?
Well take me hell
She has the ability to take listeners on a ride that is both emotional and intelligent, something rarely seen in hiphop nowadays.
It's not only her lyricism that is rebellious, by nature, but her personality. She has given everyone the middle finger (metaphorically, but would be cool if she literally did) - even her own community. She faced a lot of scrutiny in 2004 when blasted XXL for blasting her in the "Negro Please" section of their magazine in regards to an interview with Fader magazine about postponing her wedding because her dad had cancer. In an Allhiphop.com column, she basically told them to "fuck off." You would think that was over, but she still had it out for the magazine in her last mixtape in 2008 Evil Jeanius, in which she says "And how the fuck I get a Negro Please / when speaking truth? / Apologize on your Negro knees (fucker)" on the track "Even On your Best Day". In 2008, Jean Grae posted a classified on Craigslist for songwriting needs and collaborations claiming "I figure, if everyones gonna make money offa me, why not make it directly to the people who love this shit anyway?" She surely knew how to push her label's buttons.
Although she claimed retirement, she has never left the rap scene. She's been featured with several hiphop artists such as Talib Kweli, Joell Ortiz, and Jay Electronica, on top of working on a new album, according to Talib Kweli. She will also be featured on Ski Beat's 24 Hour Karate School.
Jean Grae takes the Sista with Attitude "category" and multiplies by a trillion, making her a hybrid femcee of our time. But her personality and ability to have you listen isn't something listeners sleep on... at all. Overall, to me she's like a Sour Patch: first she's sour, then she's sweet. As long as Jean Grae doesn't stop Jean Grae, she will be on top of the hiphop world in no time.
I was in a meeting two years ago with my Hip-Hop Congress folks (I miss you all btw), and we were talking about our all-time favorite female emcees. I said MC Lyte, but the guy next to me insisted on saying Jean Grae was better than her. I was infuriated! When I asked him why, he said "No disrespect to MC Lyte, but Jean Grae has something that the Lyte lacks, and that's a backbone." I thought to myself that was a bold statement since MC Lyte is the epitome of badass emcees, hands down. He went on "yeah, MC Lyte started the women with attitude sort of style, but Jean Grae has taken that style to a whole new level. Dudes may have been afraid to battle MC Lyte, but dudes are afraid to even be in the presence of Jean Grae. The only one is probably Talib Kweli." At the time, he was right. Every dude that has collaborated with her didn't outshine the femcee.
This femcee is especially the future of all of hiphop because she is by far the most self-made AND well-known self-made musician of our time. Jean Grae's style of rhyme is totally prepared for battle, like if anybody had a problem with her should be ready to be rump roast! Her punchlines are deadly, making you feel as if you're fighting Mike Tyson after his release from prison in '95. She has rhymes you must listen to, as they are intelligent and strategically placed for you to think and figure out what exactly she is talking about. She is perhaps the most complicated femcee to decipher out of these new emcees.
Lyrically, she's the kind of girl you don't tread lightly, as she has an attitude that'll take you by storm. Yet, she whisks you away in beautifully written stories dealing with life and being a woman. Although her battle rap style rhymes carry heavy weight, so does her ability to tell stories about her life. She has told stories of just about everything from a woman's perspective - from being the only female on her label to late-night quickies and abortions. From her album she did with 9th Wonder called Jeanius, her song "My Story" had to be the most chilling yet telling story about going through abortion and having a miscarriage. She says
I was a failure at that too, bailed from the rap, then but fate took me back in.
Sin is a tattoo my fingers attached with.
Twenty-seven with three kids that I never met.
What if I was Catholic? Wonder if they hate me?
Thinking how their mother could ever murder?
Well take me hell
She has the ability to take listeners on a ride that is both emotional and intelligent, something rarely seen in hiphop nowadays.
It's not only her lyricism that is rebellious, by nature, but her personality. She has given everyone the middle finger (metaphorically, but would be cool if she literally did) - even her own community. She faced a lot of scrutiny in 2004 when blasted XXL for blasting her in the "Negro Please" section of their magazine in regards to an interview with Fader magazine about postponing her wedding because her dad had cancer. In an Allhiphop.com column, she basically told them to "fuck off." You would think that was over, but she still had it out for the magazine in her last mixtape in 2008 Evil Jeanius, in which she says "And how the fuck I get a Negro Please / when speaking truth? / Apologize on your Negro knees (fucker)" on the track "Even On your Best Day". In 2008, Jean Grae posted a classified on Craigslist for songwriting needs and collaborations claiming "I figure, if everyones gonna make money offa me, why not make it directly to the people who love this shit anyway?" She surely knew how to push her label's buttons.
Although she claimed retirement, she has never left the rap scene. She's been featured with several hiphop artists such as Talib Kweli, Joell Ortiz, and Jay Electronica, on top of working on a new album, according to Talib Kweli. She will also be featured on Ski Beat's 24 Hour Karate School.
Jean Grae takes the Sista with Attitude "category" and multiplies by a trillion, making her a hybrid femcee of our time. But her personality and ability to have you listen isn't something listeners sleep on... at all. Overall, to me she's like a Sour Patch: first she's sour, then she's sweet. As long as Jean Grae doesn't stop Jean Grae, she will be on top of the hiphop world in no time.
The New Breed(s): Invincible
She's the kind of femcee that steps far beyond the title. That's how ahead of her time she is!
Invincible not only carries Detroit, but the world on her shoulders, with her supreme lyrical skills and in-depth ability to educate the masses. When, not if, she blows up, she can be the most dangerous emcee, excuse me femcee, in America because we all know how tough it is to be an educator for the minorities and do it without permission (just being real for a sec). Not only will she murk these emcees, but not murk these emcees in a skirt. She does it in her own style. To BUY her music, because we should support good music, peruse her site for all of her works.
When I first saw her perform, I thought to myself "this dude is awesome!" because looking at her and listening to her in a small, dim-lit venue, and already drunk, I wasn't prepared to hear a woman (especially a crossed-dressed woman) to spit that hard and that real! That night she not only came with the rhymes, but also a philanthropy. During this performance, she had a backdrop of her docu-music-video "Locusts" playing as she was rhyming with disturbing city images of her hometown Detroit. She has been backed by Talib Kweli, Black Thought, Slum Village, just to name a few hiphop artists that know she can flow. Trust me when I say Invincible is the future of hiphop, HANDS DOWN.
DISCLAIMER: Although I place her in a new breed of femcees, that doesn't mean she (or any other femcee) is limited among or by their gender. Her image and her lifestyle says enough (see picture). She isn't just about empowering the female identity, but about empowering everyone! Invincible comes with rhymes about everyone's struggle, steering away from sexuality and materialism and everything else a woman talks about, in an attempt to blast on the scene tiptoeing with EVERYONE who rhymes right now. Like she said "I'm striving to be one of the best period / Not just one of the best with breasts and a period" (said on "Looongawaited"). She steers away from being limited as a female emcee by spitting something everyone can relate to. Instead of talking about feminism or flaunting her sexuality, she's educating people on international issues in every way an emcee can in addition to her own special methods.
What sets her apart from other female emcees in the hiphop world is her lyricism. She spits nothing superficial, let alone ladylike, yet her content is classy and thoughtful. The origins of Invincible's lyricism is clearly Detroit-bred, but her thought process is so beyond an 8-Mile emcee. She can break down metaphors like you put on socks, it is THAT easy for her. Take "People Not Places" off her album ShapeShifters, she says:
Settlements spreading like cancer and toxic sewage polluted the roads
Now full of checkpoints
I superimpose the truth and it shows
(see full lyrics and explanation here)
Now full of checkpoints
I superimpose the truth and it shows
(see full lyrics and explanation here)
On a song that deals with the displacement of the Palestinian people, most people wouldn't expect such lyricism from the average emcee, as they expect a focus on talking about the issues. But Invincible isn't your average emcee; she has the ability to balance a deep rhyme scheme and a crazy flow with intellectual content broken down for everyone.
Her musicianship steps beyond just rhyming; she is also a filmmaker. Actually, she has a docu-music-video for just about every song! She stepped on the scene and caught the eyes of millions when Current TV aired her first docu-music-video "Locusts" on gentrification in Detroit. The amazing thing about it is that she didn't make the video alone, but with a Detroit youth group called L.A.M.P (Live Arts Media Project), where these kids do a yearly project researching current events and making CDs and videos based on their findings. They're basically the 'hood's youth CNN! Aside from her film work with L.A.M.P, she has worked with Beatnick & K-Salaam, and Iqaa the Olivetone. Her most recent docu-music-video "The Revival" looks at three generation of hiphop, in particular women in hiphop. This video, which you see below, takes you on the We-B Girlz European tour featuring Roxanne Shante, Bahamadia, Eternia, Stacy Epps, DJ Shortee, and Invincible. The documentary aspect of it includes Roxanne Shante and Bahamadia trading stories on what it was like at their prime in the music industry and what it is like for up and coming artists Stacy Epps and Eternia (who is responsible for the logo at the top of the first piece in this series) to grace the same stage as two previous generations of hiphop.
Invincible not only carries Detroit, but the world on her shoulders, with her supreme lyrical skills and in-depth ability to educate the masses. When, not if, she blows up, she can be the most dangerous emcee, excuse me femcee, in America because we all know how tough it is to be an educator for the minorities and do it without permission (just being real for a sec). Not only will she murk these emcees, but not murk these emcees in a skirt. She does it in her own style. To BUY her music, because we should support good music, peruse her site for all of her works.
Where The Femcees Are: The New Breed(s)
I once argued with a man (a very drunk man) about women in hiphop, and how the times have called for a new kind of female emcee. He told me that hiphop, just like the rest of Black music, resists change and to change music will harm an already conformant community. He said, "the reason why we are so conservative is that we're afraid to fall. Think about it: in fact, I went to the liquor store, and an old lady walked out heading to her car. I went it, got my stuff, and when I left I saw the same lady standing by the curb looking down. I ignored her and went to my car, but when I looked again she was still there. So I asked her 'are you ok ma'am, do you need help with something?' Real talk, she said 'I'm not stepping off this curb, I don't wanna fall and bust my ass.' So I helped her walk off the curb and into her car, and watching her drive off made me think of everybody who tries something different and fails, how embarrassed and alone they are. A lot of us are afraid of change because we are afraid to fall, fail, be embarrassed and stand alone." Since that talk in February, I have always remembered the conversation, verbatim.
The story he told bridges a cold gap between the question and answer of where all the female rappers/emcees (or femcees) really are. Being in a community that is currently stuck between superficial lyricism and neo-conservative ideologies, a lot of amazing musicians and artists have been forced to stand alone and be seen as a failure or a flop, as people in the community are afraid to stand by them and break away from the pack. A lot of Black female musicians in particular have taken a different approach to hiphop, and music in general, just to be shot down or ignored by their own people. Artists from Santigold to Jean Grae have been told to shape into a mold of what Black music "looks like" - the four main categories of Black women in the media, specifically music: the Fly Girl, Sista with Attitude, Lesbian, and Queen Mother (read this article by Cheryl Keyes for more info). Basically, the Fly Girl is the woman who thinks being overtly sexual is empowering and flaunts lyrics of materialism, the Sista with Attitude feels success lies in the means of harming other, lyrically or what have you, the Lesbian can only talk about her sexuality, and the Queen Mother is the woman who speaks on saving the children and the Earth in an impersonal manner. These four types of women can rap or sing about these things however they want, as long as they stay in their own category and make it appealing for the general audience.
However, there are women in the music industry, especially hiphop music, who ignore the fear of being alone and personalize the music created by a complacent community. These women are generally considered weird, lame, and out of place, but I feel these women bring a new breath of life to the art form of music. There are plenty of women today that have broken the four archetypes women have been given in music. There is Janelle Monae, one of the funkiest and craziest soul singers/songwriters out right now, as well as Miss Jack Davey of J*DaVeY, who should be included in this group but is only exempted because of she's in a band, but this singer/song-writer/rapper has an edgy way of being sexual, sensual, and an independent woman. Another artist to break the mold is up and coming R&B rocker Brittany Bosco, a woman with a sound that roots as deep as the early, early, early blues era with a tinge of electronic soul. Even when we look at already established musicians like Erykah Badu, who stripped in front of a Dallas crowd for her new video without notifying anyone. Most of the music community, even her so-called fans, claimed to not "get it" and ultimately turned their nose up at the video.
But, we're not going to making this about all Black music. For now, this series is just a look at femcees who are changing hiphop. I say new breed(s) because in actuality it is next to impossible to categorize anyone, but for the sake of the music industry, the three featured women in this series don't fit, and purposely REFUSE to fit, any of the old categories femcees used to fit. I will even go there to say that these three women, Jean Grae, Invincible, and Nikki Lynette, are femcees that will be leading the hiphop community soon.
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